by LExt —

DTS-HD Master Audio vs Dolby TrueHD – Which Is Better?

When you pop in a Blu-ray disc, you’ll usually find two premium audio options: Dolby TrueHD and DTS-HD Master Audio. Both are lossless — but they aren’t identical. Here’s what matters for audiophiles and home theater enthusiasts.

The Basics

Feature Dolby TrueHD DTS-HD Master Audio
Compression Lossless (MLP-based) Lossless
Max channels 7.1 (+ Atmos objects) 7.1 (+ DTS:X objects)
Max bitrate 18 Mbps 24.5 Mbps
Sample rate Up to 192 kHz Up to 192 kHz
Bit depth Up to 24-bit Up to 24-bit
Object audio Dolby Atmos DTS:X
Lossy core Dolby Digital (AC-3) DTS Core

Both codecs deliver bit-for-bit identical audio to the studio master. The difference isn’t in quality — it’s in ecosystem, features, and compatibility.

Dolby Atmos vs DTS:X

The modern selling point for both formats is object-based spatial audio:

Dolby Atmos (embedded in TrueHD):

  • Up to 128 audio objects
  • Ceiling/height channels for overhead sound
  • Widely adopted — most new Blu-rays include Atmos
  • Supported by virtually all modern AVRs and soundbars

DTS:X (embedded in DTS-HD MA):

  • Similar object-based approach
  • No strict speaker layout requirements
  • Less common on Blu-ray releases
  • Supported by most modern AVRs

In practice: Dolby Atmos has won the adoption battle. Most new Blu-ray releases include Atmos as the primary lossless track, with DTS-HD MA as a secondary option or vice versa.  DTS:X hasn’t appeared since 2019 on new Blurays.

Which Sounds Better?

This is the audiophile debate that never ends. The honest answer: neither is inherently better. Both are mathematically lossless — the decoded output is identical to the studio master.

Any perceived difference comes from:

  • Different masters — the TrueHD and DTS-HD tracks on the same disc may use different mixes
  • Different decoder implementations — your AVR’s TrueHD and DTS-HD decoders may process audio slightly differently
  • Volume normalization — the two tracks may be mastered at different reference levels

If both tracks are from the same master, the decoded PCM output is bit-identical.

Which Is on Your Blu-ray?

Most Blu-rays include at least one lossless audio track. Common configurations:

  • Dolby TrueHD Atmos + DTS-HD MA — increasingly common on new releases
  • DTS-HD MA only — many older Blu-rays and catalog titles
  • Dolby TrueHD only — some studio-specific releases
  • Both lossless tracks + lossy fallbacks (DD 5.1 / DTS Core)

How to Extract Both Formats Losslessly

Lossless Extract shows you every audio stream on the disc. You can:

  1. Select the stream you want — TrueHD Atmos, DTS-HD MA, or both
  2. Choose your output format:
    • TrueHD/Atmos → M4A (best for Atmos playback in Kodi), MKA, or Direct Stream Copy
    • DTS-HD MA → MKA or Direct Stream Copy
  3. Extract — bit-for-bit stream copy, no transcoding

The extraction preserves all object metadata (Atmos or DTS:X), channel assignments, and audio data exactly as authored on the disc.

Format Compatibility

Player/System TrueHD TrueHD Atmos DTS-HD MA DTS:X
Kodi ✅ ✅ (via M4A) ✅ ✅
Plex ✅ ✅ ✅ ✅
VLC ✅ ⚠️ Stereo only ✅ ⚠️ Stereo only
foobar2000 ✅ ✅ ✅ ✅
Most AVRs ✅ ✅ ✅ ✅

The Bottom Line

  • Both are lossless and both sound excellent
  • Dolby Atmos has broader adoption for new releases
  • DTS-HD MA remains common on catalog titles
  • Extract both if your disc has them — storage is cheap, and you’ll have maximum flexibility

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Bit-exact extraction from physical high resolution audio.

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